Poor old Charles Williams. An amazingly talented scholar, poet and writer, and he gets no love just because he happened to be a lesser-known member of the Inklings and an Oxford contemporary of glory hogs C.S. Lewis and J.R.R. Tolkien.
I certainly hadn’t heard of him myself, not until I moved to Australia and he was mentioned by a chap called Les Follent. Les talked about a series of, what he called, ‘Christian Horror’ novels that Williams had written. Well, my ears pricked up because the closest I had come to that genre was the Left Behind series, which I found horrific for all the wrong reasons. A few years later, when looking for a book to read, I got hold of the first of the six novels that he had written, War in Heaven.
Williams himself described the books as ‘Spiritual Shockers’, and they would probably be classified today as ‘Supernatural Thrillers’, though because they were written in the 1930s and 40s by an Oxford lecturer today’s modern, desensitized natures may be tempted to turn their collective noses up at his work.
To be honest, his stories are best described as ‘a mixed bag’, but when he’s good then he’s very good. There are some brilliant high-concept plot ideas here. War in Heaven is about a rural parish priest who discovers that an old communion chalice that has been gathering dust in a cupboard in his church is actually the Holy Grail, and that a secretive practitioner of black magic is on its trail. That’s an idea that’s just waiting to be ruined by Hollywood. The Greater Trumps is about what happens when a selfish, manipulative Romany fortune-teller gets his hands on the original Tarot deck. The Place of the Lion is about what happens when a cult summons Platonic Forms into existence that begin draining reality from our world. That last one might sound a bit confusing, but if you have a basic grounding in philosophy then you might be thinking, “That sounds like the plot for the best film EVAR!!!”.
Despite the sinister subject matter, each one is grounded in the assumption that God, and the cross, are the ultimate reality. Indeed, there’s so much wisdom in the message of each book that you know that you are in the presence of a master. Williams avoids the gore and perversity-for-perversity’s-sake that characterizes much of the genre these days, and injects subtle horror into his work. I remember reading a Stephen King comment about how the most terrifying horror is when the writer manages to twist the everyday aspects of life into something else; to turn the mundane into the malevolent. Williams manages this by capturing how our eternal character depends on those tiny daily decisions that we make; how tiny seeds of hate can eventually kill us; how little strands of lust or jealousy can grind down our souls until we cease to be human. Beware those mundane, everyday things! Indeed, Descent into Hell contains the finest temptation scene I have ever encountered, and demonstrates perfectly how our essence can hinge on the smallest of nails. This is the kind of truth that should chill and unsettle our modern, desensitized natures.
Williams has influenced me by showing that it can be possible to write intelligent Christian literature in all genres, and that it can be done in such a way that it can cross over into the mainstream. The truth speaks to everyone. If I ever attempt anything that approaches a ‘Supernatural Thriller’ then I guarantee you that it will be done with Charles Williams in mind.