James’s Blog: Creating Life.

James’s Blog:  Creating Life.

I really needed my character to make that phone call, but it just wasn’t working. The story demanded that he pick up the phone and dial those numbers, but it didn’t feel right. So what do I do now, when I have a story, but a character who doesn’t want to play ball? “All right,” I said to my character, “what do you want to do then?” You can imagine my shock and disappointment when he took that scrap of paper with the phone number on it, scrunched it up and threw it in the bin. “What are you doing?” I said, “I need you to phone that number!” But it was no good. He wasn’t going to make the call.

Once I’d recovered, I realised that it made sense. This character, the person that he was, wouldn’t make the call. Not yet. So he didn’t, and I was left at a loose end. Instead of following the plot, we went on a detour and did something else for a while. Then several pages later, he was pulling that piece of paper out of the bin so that he could make the call, all of his own accord. The story was back on track. We got there eventually, but he had to be ready.

A lot of writers advocate this – you don’t write the story, you write the characters and then let them decide on the story. When it works you have a tale that is internally consistent and compelling, but you have to know your characters. They have to be real people who can tell you what they would say and do and feel. You just listen, and put it on paper.

I know there are some writers who don’t even have a story when they start. They just have a bunch of fleshed-out characters and a starting situation (what Robert McKee would call an ‘Inciting Incident’), and see where it all goes. I’m not quite like that. I like to have an end goal in mind, but it definitely works better when I let the characters get me there, rather than railroad them towards their destiny. Of course, that means surrendering some control.

Letting the life that you have created exercise free will is hard work, and riskier than the alternative, but it creates a richer story and leads to a greater reward.

James’s Blog: The Road to Hell.

James’s Blog:  The Road to Hell.

I saw a man throwing a child at the sun.

“Why are you doing that?” I said.

“I’m helping him. He told me that he was cold,” the man said.

I looked at the bruised child on the floor.

“I think he needs to go to the hospital,” I said.

“Sure,” said the man, lifting the child above his head once more.  “Which direction is the hospital?”

James’s Blog: A Metaphor.

James’s Blog:  A Metaphor.

There was once a boy who wanted to make a difference. He worked hard at this, but was often left frustrated by how little change he saw. On one particularly frustrating day, he took a scrap of paper, wrote on it TRUST IN JESUS, rolled it up and put it in an empty glass bottle. Then he took that bottle down to the beach and threw it into the sea as hard as he could.  It didn’t really make him feel any better, but at least, he thought, he was doing something. Read more

James’s Blog: For Sale.

James’s Blog:  For Sale.

I’ve written briefly about the concept of Christian horror in my blog on Charles Williams and I’ve also mentioned my dalliance with Microfiction.  The two intersect on a website that I occasionally contributed to – MicroHorror.

MicroHorror is now no longer live, and I hadn’t written anything for it in nearly four years, but buried on there is my one attempt to communicate something meaningful through horror.  It’s a mere 200 words, and it’s called ‘For Sale’.

Come… on… MOVE… you… son… of… a…

Muscles bulged but the jar lid remained unrepentant. This was getting embarrassing. It had seemed like such a good idea at the time, such a simple idea. Offer to open the new jar for the girl in the kitchen. Impress the girl of his dreams. She didn’t look impressed right now. She looked bored.

I… can’t… believe… this… is… happening…

Still no movement. Not even a fraction of a fraction. The girl had stopped looking bored and was now beginning to look faintly amused. He didn’t know which was worse.

She’s… laughing… at… me… please… open… please… I’ll… do… anything…

Suddenly a hissing, slithering voice whispered in the silence, in the deepest backdrop of his mind.

“Anything?”

***
In the darkness of the under realm, the two demons put the finishing touches to the contract.

“…for the ability to open a jar of sun-dried tomatoes? Really?”

The first demon sounded shocked and a little disgusted. The second demon nodded dolefully.

“There’s no challenge these days. It’s just not fun anymore,” he moaned. The first demon finished the document with a flourish of his pen, and slowly shook his head.

“You know what I reckon? I reckon those humans have stopped taking their souls seriously.”

James’s Blog: Tolstoy’s Greedy Farmer.

James’s Blog:  Tolstoy’s Greedy Farmer.

There’s a story by Leo Tolstoy about a peasant farmer who had done well in life, but wanted more. One day someone made him an offer. For 1000 Roubles the farmer could have as much land as he wanted, provided that he was able to walk around it in a day. The only condition of the deal was that he must be back where he started from by the time that the sun set.

Of course, he set out early the next morning moving as quickly as he could. At midday he decided that he would keep walking, and simply make sure that he moved faster on his return journey. By mid afternoon he had walked a great distance, but he realised that he would lose it all if he didn’t get back and that he hadn’t left himself much time. He retraced his steps, running and running, trying to return to the starting line before the sun went down.

Just as the sun was beginning to dip below the horizon he came within sight of where he had started, so he pushed himself for the final few minutes, despite his complaining body. He staggered across the line, just as the sun set, and then promptly collapsed and died of exhaustion.

His servants dug him a grave, about six feet long by three feet wide. Tolstoy called his story ‘How Much Land Does a Man Need?’